While the master magician was dialing the radio station, she simply climbed back into the radio. She would then open the trap and slide into the bellowed area between the two table tops and wait there while Houdini showed his audience the empty interior. Young would be inside the radio when it was put on the table. Young’s weight without going below the skirt of the tablecloth. The upper top had a trap door that opened upward while the lower top hung from the upper by springs that dropped under Ms. The key to this illusion was the table – known as a bellows table, it consisted of two table tops. The radio announcer would say, “And now, Dorothy Young, doing the Charleston.” The top of the radio would fly off, and out would pop his young assistant, who would jump down and dance the Charleston. Houdini would then adjust one of the dials until a radio station started playing. Houdini would open the doors to show that there was nothing inside except transformers, coils, and vacuum tubes. The front of the radio had huge dials and double doors. Then his assistants would place a giant radio on the table. Houdini would walk around the table, lifting the cloth to show that there were no mirrors or anything else under the table. The radio was a novelty at the time, and the act featured what Houdini said the radio would look like in 1950.Īccording to Dorothy Young, Houdini’s assistant, the magician would begin by introducing a large table with a tablecloth that fell halfway down the table’s legs. Houdini created the “Radio of 1950” illusion for his evening shows from 1925 until his death the next year.
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